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Seven Guitars

Spotlighters Theatre: Directed by Benjamin Isaiah

Seven Guitars (1948) is an August Wilson play in which friends in a Pittsburgh backyard mourn the recent death of Floyd "Schoolboy" Barton, a blues guitarist who died just as his career was taking off. Through flashbacks, it shows Floyd trying to overcome systemic hardships and personal mistakes to achieve stardom in Chicag

Reviews

https://www.theatrebloom.com/2026/01/seven-guitars-at-spotlighters-theatre/

As Floyd, Jae Jones sparks like a live wire. There’s something intrinsically jumpy about the way Jones channels this character, almost as if the character’s essence physically cannot sit still. This is present even when Jones is standing still, though often times he’s moving about, allowing this energy to move his body, body language, and facial expressions— in addition to his voice— all around the play space.

Reviews

https://dctheaterarts.org/2026/01/11/august-wilsons-powerful-and-thoughtful-seven-guitars-at-spotlighters-theatre/

Jae Jones delivers a phenomenal performance as Floyd Barton, capturing both the swagger of a man convinced of his greatness and the vulnerability of someone desperate to be seen. Jones navigates Floyd’s contradictions with ease: his charm and carelessness, his passion and his selfishness. When Floyd speaks of music, of Chicago, of the future that surely awaits him, Jones makes the audience want to believe right along with him. Yet he never allows Floyd’s charisma to excuse his failings, particularly the emotional cost inflicted on the women in his life. It is a layered and compelling portrayal that makes Floyd magnetic even when he is at his most frustrating.

Seven Guitars Photos

    Antigone

    Spotlighters Theatre: Directed by Emma Cook

    Sophocles' Antigone is a Greek tragedy about a woman who defies her uncle, King Creon, to bury her traitorous brother, Polynices, adhering to divine law over state law. Creon sentences her to death, triggering a cascade of suicides—Antigone, his son Haemon, and his wife Eurydice—leaving Creon devastated and humbled.

    MD Theatre Review

    https://mdtheatreguide.com/2026/03/theater-review-antigone-at-spotlighters-theatre/

    Creon’s (Joseph “Jae” Jones) stoic opposition to Antigone’s expressive deluge makes an ideal foil. When his own collapse emerges in his griefs at the end of the show, it is all the more satisfying.

    Theatre Bloom Review

    https://www.theatrebloom.com/2026/03/antigone-at-spotlighters-theatre/

    As new ruler of Thebes, Jae Jones’ Creon is a man in search of a path. Straightlaced and strong, Jones commands the stage with an iron fist, though his concern for his struggling country is constantly at the forefront of his mind. Creon values war over family, and man over woman, as Jones bellows orders and spits sarcasm back at the women who dare question him.

    Antigone Photos

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